The Ullmann Project


“ Music can diminish evil “
Viktor Ullmann ( 1898 - 1944 )

Among the many cultural victims of the Holocaust was an adventurous composer named Viktor Ullmann, who had an affinity for music that the Nazis labeled “ degenerate “. Ullmann first studied briefly with Schönberg, and later with Zemlinsky. When I was first introduced to Viktor Ullmann’s songs in London in the late 1990’, his musical language immediately had a deep impact on me. Ullmann’s tonal landscape is a profound reflection of its time and space: he was a product of the hotbed of artistic, intellectual, and political life of pre - First World War Vienna, where he attended grammar school and university.


Most of his own compositions, however, were written in the interwar period - another time of immense creative blossoming across the artistic spectrum. Born in a Habsburg Empire province on the eve of the new century, he lived and worked in Austria, Switzerland, Germany and Czeckoslovakia, before being deported to Theresienstadt in 1942 and eventually murdered in Auschwitz on October 18th, 1944. I find the art songs of the first half of the 20th century the most satisfying to sing. It is the mixture of times past and the modernity in the compositions of this era that I find so compelling; the past and the future present in every note, in every chord.


Ullmann’s songs in particular are so bold and strong even in quiter moments. Contrasting Ullmann’s and Korngold’s musical language in particular, makes for a fascinating listening, with Ullmann clearly embracing atonality and expressionism, while Korngold stays rooted in the late - Romantic vernacular of Zemlinsky and Strauss.


Also included in our programs are songs by another underrepresented central European composer, Petr Eben. Several generations younger than Ullmann, Eben was also interned in a Nazi concenttration camp - Buchenwald - but unlike Ullmann he survived and became a central figure in the Czech musical scene for many decades. Songs and piano music by Schönberg, Messiaen , Britten, Pfizer and Strauss are also featured in our programs. We are expanding our music offerings by including Ullmann’s only surviving String Quartet # 3, Korngold’s Piano Trio, Messiaen’s Visions de l’Amen and his Quartet for the end of Times.


The Ullmann Project’s mission is to bring Viktor Ullmann’s ( along with the music by the above mentioned composers ) songs, piano and chamber music the American audience’s attention. 

Furthermore we strive to bring back the more or less defunct genre “ Art Song Recital “ to our concert venues. And last but not least, we think that in these extraordinary times, this extraordinary music demands and deserves to be put to the American public. Our concerts have been enthusiastically received by our audiences and reviewers alike. Very moving to us has been the response from the concertgoers not so familiar with Art Song Recitals. 

This music can be for the uninitiated listener somewhat challenging. So it is very gratifying to meet our public post concerts and witness how wholeheartedly they have embraced our musical offerings and their eagerness to understand how this art impacted the world when it was first heard, and the importance for us today to embrace its historical legacy.
The Ullmann Project / Repertoire
Viktor Ullmann 
For Soprano and Piano
Sechs Lieder nach Gedichten von Albert Steffens op. 17
Fünf Liebeslieder von Ricarda Huch op. 26
Geistliche Lieder op.20
Drei Sonette aus dem Portugiesischen op. 29
Six Sonnetts de Louïze Labé op. 34
Hölderlin Lieder

For Baritone and Piano
Drei Lieder op. 37 ( Conrad Ferdinand Meyer )
Der Mensch und sein Tag op. 47
For Bass and Piano Liederbuch des Hafis op. 30
Erich Wolfgang Korngold

For Soprano and Piano
Lieder des Abschieds, op. 14
Drei Lieder op. 22

Alexander Zemlinsky
For Soprano and Piano
Walzer - Gesänge nach toskanischen Volksliedern op. 6
Ehetanzlieder und andere Gesänge op. 10
Petr Eben Sechs 
Lieder nach Gedichten von Rainer Maria Rilke
Songs for Soprano and Organ 

Benjamin Britten 
For Soprano and Piano 
On this Island 
Les Illuminations 

Olivier Messiaen 
For Soprano and Piano 
Poèmes pour Mi 

Arnold Schönber Das Buch des Hängenden Garten 
Piano and Chamber Music 
Viktor Ullmann 
Piano Sonatas No. 1 and No. 7 
String Quartet No. 3 

Erich Wolfgang Korngold 
Piano Trio in D, Op. 1 

Olivier Messiaen Visions de l’Amen 
Quartet for the End of Time

Current Artists

Dominique Hellsten
Soprano

“ Classical “ music as practised
by Ms Hellsten ( and too few
others ) remains a living art. She
takes risks, and invites audiences
to share the adventure with her. “
Andrew Pinnock, London UK Arts Council

“ And so we come to the
motivating force behind this
Ullmann Project: Soprano
Dominique Hellsten. In Ms
Hellsten, we found exactly that
true quality of expression; a true
idiomatic command of the
German language and a wide
range of excpression. “
New York Concert Review

Craig Ketter
Pianist

“ Craig Ketter worked magic with the busy piano parts, never a chord out of place or unbalanced and produced some of the most satisfying sounds I have heard in decades from a vocal accompanist." 
New York Concert Review

Performed by the superb pianist Craig Ketter. Ketter is no ordinary pianist. He is a large man but uses weight – not force – to produce his tone. Thus the sound is rich and sonorous and lacks the percussiveness we so often hear from lesser talents. “
The News and Observer, Raleigh, NC

Monica Niemi
Soprano

“Soprano Monica Niemi sang with clear bright sound, negotiating the often difficult wide-ranging lines beautifully. “ 
New York Concert Review 

“ There was an abstracted beauty to Niemi’s incisive way with “ An Himmelfarht “, by Ullmann. “ 
New York Classical Review

Matthew Odell
Pianist

“ Excellent “ 
New York Times 

 Brilliant…Playing with total commitment and real abandon “ Gramophone
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